Adrian's Writing

…and drawing

Graphic novel progress - Brush pens are good but...

Here's a page I've done using only the Tombo brush pens for colour. I'm fairly pleased with it although it does highlight one key problem with brush pens - they don't cover areas well. You might have spotted that the sky is messy, something I just can't fix with a brush pen. I've also found that I couldn't get the right colour for a frog's skin.


The answer, I think, is to use a mixed media approach. I'm going to use gouache or watercolour for large areas and the brush pens for small areas and shading. I bashed out a quick sketch this way and it was both quick and easy.


I'm making progress. Hopefully there'll be a first chapter to show soon!

Graphic novel progress - Vectorisation is getting to me...

After two days of wrestling with the whole vectorising approach (mentioned here) and going slightly bonkers, I sank back in my chair, took a deep breath, put the computer to sleep and bashed out an ink illustration in a few minutes. It's the picture shown. Read More...

Cyclists or teddy bears; who's the most dangerous?

A hot topic this month in the world of British cycling has been the plan by Tory MP Andrea Leadsom to bring in a new Bill to target dangerous cyclists (Covered here among other places).

Although the number of people killed in the UK by cyclists is around one every other year, she still feels it's important to send a message to these two-wheeled potential killers. The example she has given of a cyclist killing someone is a case where a cyclist hit a pedestrian who'd strayed into the road. To make things worse, he'd reportedly shouted at her 'I'm not going to stop!' before he hit her. Read More...

Graphic novel progress - Decisions, decisions...

Oooh, it's difficult to decide. After talking at length here about the qualities of vector illustration, I've been drawn back to my pencil shaded black and white work. I was examining one of my black and white illustrations for my fantasy comedy novel and wondered what it would look like coloured. I got my water based ink brush pens out (Tombo ABT dual brush pens) and inked in most of the picture. I then finished it off with some gouache to the face, hands and the strange eggy lump on the door. Read More...

How Herge drew Tintin

I mentioned in the last blog entry about creating a graphic novel with a 'clear line' style. I used Tintin as an example of this method. For those who are interested, there's a very useful article about Herge's methods on the National Maritime Museum website of all places. Check it out here. It's fascinating to see how the page develops; where the 'life' of the story appears and at what point it looks polished and professional.

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Graphic novel progress - Colour vectorising a pencil sketch

After three weeks of working away (in between other bits and bobs), I've made some progress on the graphic novel. The first week or so was spent investigating whether I could do the work in gouache - a sort of paint similar to watercolour but less watery (I know that's not a very technical or accurate description but it'll do). I've done gouache illustrations before, I've popped one alongside this text.

I found though that it is a slow job doing the gouache. I think I'd need to spend six months or probably longer just practicing the gouache to get good enough to churn out an entire page of gouache illustration in one day (my target rate). Juanjo Guarnido - the Blacksad artist - has certainly found a way to produce his painted artwork at a viable rate but he's spent years doing fine art followed by more years working as a Disney animator. That's a lot of practice!

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